Heres a simple, classic hand-lettered gem, based on an old photoface named Adonis.
Suitable for headline or text use, its a refreshing and lively alternate to Comic Sans.
All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.
Heres a simple, classic hand-lettered gem, based on an old photoface named Adonis.
Suitable for headline or text use, its a refreshing and lively alternate to Comic Sans.
All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.
Melusine is based on an ornate style of gothic calligraphy used primarily in decorative signs and advertising in Germany around the turn of the century.
It has many of the characteristics of a true medieval gothic hand, but is a more elaborate, extreme variaton on the style.
Melusine is based on an ornate style of gothic calligraphy used primarily in decorative signs and advertising in Germany around the turn of the century.
It has many of the characteristics of a true medieval gothic hand, but is a more elaborate, extreme variaton on the style.
Meltifex is a heavy font with melting letters, disappearing at the bottom.
family of 4 fonts from Eurotypo
The melon (Cucumis melo) is an herbaceous plant monoecious trailing stems. It is known for its fruit, a berry summer season with a high water content and sweet taste.
family of 4 fonts from Eurotypo
The melon (Cucumis melo) is an herbaceous plant monoecious trailing stems. It is known for its fruit, a berry summer season with a high water content and sweet taste.
An original calligraphic script by Natalya Vasilyeva. Licensed by ParaType in 2003. For use in advertising and display typography.
An original calligraphic script by Natalya Vasilyeva. Licensed by ParaType in 2003. For use in advertising and display typography.
Melodica was so named because the characters dance easily across the page as music wafts across a room. The font was designed to meet the need of designers that need clarity, sensuousness, a suggestion of the oddball, and a modicum of humor.
With its boldly curvy caps, and large x-height lower case characters, Melodica suggests a boldness of purpose while enjoying a well modulated delicacy of line.
Use Melodica for any purpose that wants a happy, vibrant, slightly quirky yet “not too far from the norm” solution.
Language support includes all European character sets.
Melodica was so named because the characters dance easily across the page as music wafts across a room. The font was designed to meet the need of designers that need clarity, sensuousness, a suggestion of the oddball, and a modicum of humor.
With its boldly curvy caps, and large x-height lower case characters, Melodica suggests a boldness of purpose while enjoying a well modulated delicacy of line.
Use Melodica for any purpose that wants a happy, vibrant, slightly quirky yet “not too far from the norm” solution.
Language support includes all European character sets.
Mellnik is a sans serif of humanist style (in a way) that was developed by Oleg Karpinsky and released by ParaType in 2006. The type family contains 9 styles with a number of alternate characters in each ones.
For use as a text font in long text passages of advertising booklets, catalogues or magazines, as well as for accident setting. Mellnik may be also applied as a corporate typeface. Giant ink traps (or something like that) produce an original image of the family.
Five condensed styles were added in 2007 by the same designer.
Mellnik Text in 12 styles (added in 2008) has more narrow proportions and it is rather appropriate for text setting.
Mellnik is a sans serif of humanist style (in a way) that was developed by Oleg Karpinsky for ParaType in 2006.
The type family contains nine styles with a number of alternate characters in each ones.
For use as a text font in long text passages of advertising booklets, catalogues or magazines, as well as for accident setting. Mellnik may be also applied as a corporate typeface. More…
Mellnik is a sans serif of humanist style (in a way) that was developed by Oleg Karpinsky for ParaType in 2006.
The type family contains nine styles with a number of alternate characters in each ones.
For use as a text font in long text passages of advertising booklets, catalogues or magazines, as well as for accident setting. Mellnik may be also applied as a corporate typeface. More…
family of 2 fonts from Greater Albion Typefounders
Mellin is a heavy sans serif face which takes us to the simple designs of the Streamline era.
Designer Hermann Zapf set out to create a typeface that was ideally suited to newspapers and other legibility applications. Melior is that typeface, released by the Stempel foundry in 1952.
Its straightforward but elegant design incorporates strong square serifs and condensed proportions based on the superellipse.
Melior is excellent for newsletters and business applications, such as correspondence and annual reports.
Designer Hermann Zapf set out to create a typeface that was ideally suited to newspapers and other legibility applications. Melior is that typeface, released by the Stempel foundry in 1952.
Its straightforward but elegant design incorporates strong square serifs and condensed proportions based on the superellipse.
Melior is excellent for newsletters and business applications, such as correspondence and annual reports.
family of 10 fonts from Alexis Luengas
In Meleo, designer Alexis Luengas explores the variations of contrast across different weights. As weight increases, also does contrast. The Light weight is nearly mono-width, whereas the Bold weight is sharper and of a more calligraphic nature. The Regular weight is hence the consensus of the two.
family of 4 fonts from SoftMaker
family of 3 fonts from RMU
Voil, the Meister Antiqua font family, which was originally released by Typoart, Dresden, circa 1951, is again available as a remastered, modernized and digitized version, with swash caps integrated in the Italics.
family of 3 fonts from RMU
Voil, the Meister Antiqua font family, which was originally released by Typoart, Dresden, circa 1951, is again available as a remastered, modernized and digitized version, with swash caps integrated in the Italics.
family of 3 fonts from Hubert Jocham Type
When letterpress started with the Gutenberg Bible, the typeface was like a texture. Before humanism, type did not really need to be legible. The letters were rather drawn in an ornamental way. It filled a space.
family of 1 font from CheapProFonts
A new font in the style of a dot matrix/needle-printer.
family of 1 font from CheapProFonts
A new font in the style of a dot matrix/needle-printer.
Matricia by Pera Ribalta, Jos Manuel Urs / OpenType, 3 styles
Nostalgically, the three weights of Matricia try not to recreate the modern pixel fonts but the noisy needle printers.
The Uno and UnoXt are made of squares and the Dos version of dots.
family of 2 fonts from Comicraft
Now showing at your local picture house is the latest romantic comedy coupling featuring Matinee Idol and Matinee Idol Bold; famous faces you've come to know and love in features like Warners' “Hush” and Columbia’s “The Evil That Men Do.”
family of 2 fonts from Comicraft
Now showing at your local picture house is the latest romantic comedy coupling featuring Matinee Idol and Matinee Idol Bold; famous faces you've come to know and love in features like Warners' “Hush” and Columbia’s “The Evil That Men Do.”
