Rabu, 29 September 2010

Download Margon Font Family Style



Download Margon Font Family Style

Download Margon Font Family

Download Margon Font Download

Margon is a serif font family with a temperate design -- small serifs, moderate contrast, tiny roundings on the corners make it calm and serene.

The Margon font family consists of 18 members divided into 4 groups of different proportions marked by indexes 360, 380, 400, 430. These values correspond to densities of sets -- 360 is the widest style, 430 is the most narrow one. The peculiarity of Margon family is a rather small difference in proportions of characters between neighbor groups, its less than 10%. Such tiny step gives possibility to select the font that gives the best result in combination of capacity and readability. More…

Margon can be used in book, magazine and newspaper design.

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Senin, 27 September 2010

Download Marginal Notes SRF Font Family



Download Marginal Notes SRF Font Family



family of 1 font from Stella Roberts Fonts

Marginal Notes SRF

Marginal Notes SRF is from the creative pen of Ray Larabie whose Typodermic foundry graces MyFonts.com. Designed to emulate the look of handwritten words using a felt tip pen, this font can be perfectly applied to any project where notations, subtext, memos or other forms of personalization with a human touch is required.

More…


Sabtu, 25 September 2010

Download Marginal Notes SRF Font Family Style



Download Marginal Notes SRF Font Family Style

Download Marginal Notes SRF Font Family



family of 1 font from Stella Roberts Fonts

Marginal Notes SRF

Marginal Notes SRF is from the creative pen of Ray Larabie whose Typodermic foundry graces MyFonts.com. Designed to emulate the look of handwritten words using a felt tip pen, this font can be perfectly applied to any project where notations, subtext, memos or other forms of personalization with a human touch is required.

More…


Jumat, 24 September 2010

Download Margaux Font Family



Download Margaux Font Family



font family from Scholtz Fonts, added today

Margaux

Margaux is an elegant, smooth, disciplined italic font, based on French fonts of the early 20th century. It evokes Paris in her heyday - culture, romance, and sophistication.

More…


Kamis, 23 September 2010

Download Margaux Font Family Style



Download Margaux Font Family Style

Download Margaux Font Family



font family from Scholtz Fonts, added today

Margaux

Margaux is an elegant, smooth, disciplined italic font, based on French fonts of the early 20th century. It evokes Paris in her heyday - culture, romance, and sophistication.

More…


Rabu, 22 September 2010

Download Margate JNL Font Family



Download Margate JNL Font Family



Margate JNL

A set of water-applied decals manufactured in 1962 by the American Decalcomania Company for Goodyear serves as the basis for Margate JNL.

This block-style letter (with a hint of the Art Deco era) is bold, uniform in weight and commands attention in any titling application.

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Selasa, 21 September 2010

Download Margate JNL Font Family Style



Download Margate JNL Font Family Style

Download Margate JNL Font Family



Margate JNL

A set of water-applied decals manufactured in 1962 by the American Decalcomania Company for Goodyear serves as the basis for Margate JNL.

This block-style letter (with a hint of the Art Deco era) is bold, uniform in weight and commands attention in any titling application.

read more


Download Maree Font Family



Download Maree Font Family



Maree

If you want to write something sincere and genuine but not too formal then this is the font for you. It is based on real handwriting, not some artificial calligraphy made to be either too haphazard or spiky or have loads of elegant flourishes but an ordinary person’s writing, and designed to look as natural and as close to the original lettering as possible.

Like any person’s writing it is individual and distinctive, but so easy going on the eye those differences sit comfortably with you. More…

It is friendly and open with easy to read glyphs both as lowercase and uppercase.

The letters are relatively wide with clearly shaped distinct outlines. This font may be ideal for projects where you expect a wide readership with different reading abilities from young to old.

When you are using this font a slightly bigger point size usually gives a better result so for a standard letter or similar you should size up to 15 points or more.

Maree has been individually crafted to the smallest detail.

To create a realistic handwriting font that looks relatively simple but works in a wide variety of languages requires a complexity and attention to detail most fonts will never require. This font in any ordinary business environment would never have been made, the effort required to make it too great, the length of time too long.

There have been no shortcuts in this font, no automatic scanning or tracing, no automatic generation, no class kerning. Not only is each glyph individual but the width of letters, the height, the accents and the positions of the accents are all different.

Even the line weight of the letters is designed to have natural variation but yet similar enough that the font appears as though it were written effortlessly in the same pen. And in order to keep the spacing consistent even though the letters have different widths, heights, lengths of descenders and so on, there are a vast number of kerning pairs, letter to letter, number to number, letter to number...

All kerning has been individually assessed with an eye to proportionality taking in character shape, size and weight. For instance if you write a telephone number the numbers all sit close together but if you write a number before a letter such as in a UK post code or before a unit of measurement an extra little bit of space has been added which makes the number more distinct and therefore readable.

That space is so natural to the eye that you dont even know it is there. However even in the spacing allowance has been made for the fact it cant be too perfect because when you write by hand the spacing is inconsistent.

There have to be some letters which are too close or far apart otherwise the font would look artificial. For similar reasons if you are going to print out this font for a letter, etc, check the print version before you make any letter spacing changes because with the zoom functions in modern applications that uneven spacing and lettering can seem more pronounced than it actually is.

When this font is printed out you will find it is surprisingly neat.

This font is what it is, simple clear handwriting. You will not go wow. But if you want something unique and different and looks good on the page you wont be disappointed.

This font is not a work of art but it is a work of love. This font has a soul. How many fonts can you say that about?

read more


Senin, 20 September 2010

Download Maree Font Family Style



Download Maree Font Family Style

Download Maree Font Family



Maree

If you want to write something sincere and genuine but not too formal then this is the font for you. It is based on real handwriting, not some artificial calligraphy made to be either too haphazard or spiky or have loads of elegant flourishes but an ordinary person’s writing, and designed to look as natural and as close to the original lettering as possible.

Like any person’s writing it is individual and distinctive, but so easy going on the eye those differences sit comfortably with you. More…

It is friendly and open with easy to read glyphs both as lowercase and uppercase.

The letters are relatively wide with clearly shaped distinct outlines. This font may be ideal for projects where you expect a wide readership with different reading abilities from young to old.

When you are using this font a slightly bigger point size usually gives a better result so for a standard letter or similar you should size up to 15 points or more.

Maree has been individually crafted to the smallest detail.

To create a realistic handwriting font that looks relatively simple but works in a wide variety of languages requires a complexity and attention to detail most fonts will never require. This font in any ordinary business environment would never have been made, the effort required to make it too great, the length of time too long.

There have been no shortcuts in this font, no automatic scanning or tracing, no automatic generation, no class kerning. Not only is each glyph individual but the width of letters, the height, the accents and the positions of the accents are all different.

Even the line weight of the letters is designed to have natural variation but yet similar enough that the font appears as though it were written effortlessly in the same pen. And in order to keep the spacing consistent even though the letters have different widths, heights, lengths of descenders and so on, there are a vast number of kerning pairs, letter to letter, number to number, letter to number...

All kerning has been individually assessed with an eye to proportionality taking in character shape, size and weight. For instance if you write a telephone number the numbers all sit close together but if you write a number before a letter such as in a UK post code or before a unit of measurement an extra little bit of space has been added which makes the number more distinct and therefore readable.

That space is so natural to the eye that you dont even know it is there. However even in the spacing allowance has been made for the fact it cant be too perfect because when you write by hand the spacing is inconsistent.

There have to be some letters which are too close or far apart otherwise the font would look artificial. For similar reasons if you are going to print out this font for a letter, etc, check the print version before you make any letter spacing changes because with the zoom functions in modern applications that uneven spacing and lettering can seem more pronounced than it actually is.

When this font is printed out you will find it is surprisingly neat.

This font is what it is, simple clear handwriting. You will not go wow. But if you want something unique and different and looks good on the page you wont be disappointed.

This font is not a work of art but it is a work of love. This font has a soul. How many fonts can you say that about?

read more


Jumat, 17 September 2010

Download MardiParty AOE Font Family Style



Download MardiParty AOE Font Family Style

Download MardiParty AOE Font Family



An offbeat enclosed inline font.

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